By popular request, we will be having a bluegrass jam tonight in the second half. We’ll start off with a slow jam tune, allowing anyone who wishes to give it a go a safe opportunity to play. Then we’ll turn it over to the experienced pickers to let ‘er rip while everyone else can enjoy some socialising as an end-of-year send off.
See you there!
Folk Club report for September: OUTSTANDING. We had a surprisingly large crowd, all there no doubt to hear John Hayday and Vaughn Morgan again. It was wonderful to see so many new faces there. We had a wonderful set of musical offerings during the floor singer session, including two first time performers who we hope to see more of in the future.
Coming in October: Folk Club on Monday, October 26th. Jenine won’t be available, so John Hayday will be running the club.
Ever wanted to learn Celtic Fiddle? Nova Scotia, Canada, produces some of the finest Celtic fiddlers in the world. Gillian Boucher of Nova Scotia has recently relocated to the Kapiti Coast in Wellington and she is giving lessons online. She promises she can get you from beginner to expert quickly and inexpensively. Check out her website for more information: www.gillian-boucher.com/learncelticfiddle. She’s playing in a duo with Scottish singer/songwriter/guitarist Bob McNeill, maybe we’ll be lucky enough to get them up to our club some day.
See you all at the hall!
Hello, music-loving friends and neighbours!
Next folk club is MONDAY, SEPTEMBER 28TH, 7pm.
I hope everyone who attended folk club in August had as much fun as I did. We have such lovely and talented people in this area, it was a delight.
We bumped into a common trap of Folk Clubs everywhere, however, illustrated very well by this old cartoon:
In order to keep things flowing smoothly on club nights, we’re going to have to ask that floor singers keep their two numbers to around a total of 6 or 7 minutes total. It’s a matter of courtesy for our other floor singers and guests. If you have a beautiful song that you must absolutely share, but it takes 10 minutes to sing it, we’ll ask you to limit your set to the one song, and if you can speed it up just a tad, everyone would be grateful.
We have settled recently on the last Monday of the month for our clubs, but I have been getting feedback from locals saying there are a lot of other things on that night, and they are sad because they cannot attend folk club. I also have been struggling with artists who wish to play the hall on non-folk club nights. This is bumping against my increasingly busy schedule. So please be understanding if our schedule varies a bit from month to month. I will try to keep you informed via e-mail, posters put up locally, and on whangateau.co.nz.
Whangateau Hall Committee has said farewell to long time secretary Doug Guthrie. If you would like an opportunity to become more involved with the local community, please consider joining the Hall Committee. Contact me for more info.
Jenine
July folk club is Monday the 27th, hosted by John Hayday!
August folk club is Monday the 31st. We will have a special guest artist: Richard Leschen and Yvette Audain of the Tuxedo Folk Band.
About the band:
The TUXEDO FOLK BAND is an exciting and adventurous new folk-jazz ensemble featuring Yvette Audain (Auckland Philharmonic, Brett’s New Internationals, accompanist of Tui Award Nominee Rachel Dawick) on wind instruments (clarinet, recorder, whistles, saxophone), Eamon Edmunson-Wells on double bass (Ruckus, Tauranga Big Band, Chelsea Prastiti Band, Jeff Henderson, John Bell Band), and songwriter Richard Leschen (founder of the Bunker Hill Folk Review, soloist, Otagolands) on guitar and vocals. These diversified musicians team-up play acoustic music like no others, and have a unique progressive sound steep in old time Americana folk and jazz traditions. They are gearing up to record a fantastic new album in 2015.
More details found at:
Yvette Audain: http://www.yvetteaudain.com/
Eamon Edmunson-Wells: http://jazzlocal32.com/tag/eamon-edmunson-wells/
Richard Leschen: http://richardleschen.wordpress.com/music/
Rich:
Intimate and ambient, the real richness comes from the brilliant lyrics; very melodic, engaging and genuinely far-reaching with significant depth, this is low-key brilliance. – Ania Glowacz, NZ Musician
NZ based singer-songwriter Richard Leschen draws on the deep roots music of his southern US heritage – country, bluegrass, blues – to craft intricate, fascinating songs with a wide geographical sweep, and a wide historical one. – Nick Bollinger, Radio New Zealand
Leschen is a fine guitarist … in fact, I would go as far as to say he is a very fine guitarist. The lyrics are pertinent and the playing flawless. – Keith Redgrave, Americana UK
Yvette:
Yvette’s music always has a freshness of her own, often a quirky sense of humour, and an artistic freedom, especially in the more Eastern-style pieces I’ve heard or played in other Auckland performances. – Katherine Hebley, cellist, Auckland Philharmonia Orchestra
Yvette Audain’s achievement [of her album Grooves Unspoken] in making her playing such a gift to all kinds of sensibility. – Peter Menchen, Middle C.
[Her] security of technique throughout the instrument’s range is most impressive. – Anonymous, You Tube.
We’ve got a fun song for everyone to sing along with at folk club. This is a true old folk song, with dozens of different versions out in the world. Please print out your lyrics and bring along. It’s a two-chord wonder, G and D, and very simple to play, so feel free to bring your instrument of choice and play along.
“The Cabbage Head Song” (Key of G)
Men:
I come home the first night, drunk as I could be
There was a horse there in the barn, where my horse orta be
Now come here little wifey, explain this thing to me
How come a horse there in the barn, where my horse orta be?
Women:
You old fool, you blind fool, can’t you plainly see
That’s nothin’ but a milk cow your momma gave to me?
Men:
Well, I’ve traveled the whole world over, ten thousand miles and more
And a saddle on a milk cow I ain’t never seen before
Well, I come home the second night, drunk as I could be
And there was a hat there on the peg, where my hat orta be
Now come here little wifey, explain this thing to me
How come a hat’s there on the peg, where my hat orta be?
Women:
You old fool, you blind fool, can’t you plainly see
That’s nothin’ but a chamber pot your momma gave to me?
Men:
I’ve traveled the whole world over, ten thousand miles and more
And a John B. Stetson chamber pot I ain’t never seen before
Well, I come home the third night, drunk as I could be
A pair of pants there on the chair, where my pants orta be
Now come here little wifey, explain this thing to me
How come these pants there on the chair, where my pants orta be?
Women:
You old fool, your blind fool, can’t you plainly see
That’s nothin’ but a dish towel your momma gave to me?
Men:
Well, I’ve traveled the whole world over, ten thousand miles and more
And a zipper on a dish towel I ain’t never seen before
Well, I come home the last night, drunk as I could be
There was a head there on the pillow, where my head orta be
Now come here little wifey, explain this thing to me
How come a head’s there on the pillow, where my head orta be?
Women:
You old fool, you blind fool, can’t you plainly see
That’s nothin’ but a cabbage head your momma gave to me?
Men:
Well, I’ve traveled the whole world over, ten thousand miles and more
And a moustache on a cabbage head I ain’t never seen before!
You can find plenty of videos of the Cabbage Head Song on Youtube, and some are better than others. But this one fills me with the most love. How can you not love this old fella and his granddaughter saving this treasure for herself, her family and the rest of us?
We’re nearing solstice, my favourite day of the year. From here on in the days only get longer as the sun returns to the south. But the cold weather will be with us for a while.
It was mighty chilly in the hall for folk club on May 25th. Even with the four wall heaters going full blast, most people kept their heavy coats on. We learned today that the hall will be getting two additional heaters very soon, hopefully in time for folk club on the 29th of June! Either way, brave the cold and come on out. We’ll have a hot cup of tea there for you, and some beautiful music to warm your heart.
There’s a myth that things slow down in the winter, but you wouldn’t know that by looking around our area. Check the Sawmill Café gig guide for all kinds of good musical items coming up.
July 5th there will be a Mid-winter BBQ at the Vintage Market in Matakana. Hot Diggity bluegrass band will be playing there. If you missed them at the hall on the 31st of May, here’s your second chance!
Stay warm, everyone.
We still have a blue sign. We’re working on it, though. Auckland Council has to get sick of hearing from us eventually!
May 25th: Next folk club!
If you have any small round or square tables, could you bring one? I really like the “cafe” atmosphere they create at the Titirangi Folk Club:
I’ve got one table I can bring. Three or four more would be nice!
May 31st: Bluegrass concert with Hot Diggity!
“Private” concert just for YOU. $10 at the door. 7pm start.
Mindfulness/Yoga Workshop with lunch on Queen’s Birthday Monday
Where: Whangateau Hall
When: June 1st, 2015
Time: 10am-2pm
Cost: $60
Programme:
10-11am: Gentle vinyasa-flow yoga with Megan Browne
11.15-12.00: Mindfulness session 1 with Rita Riccola
12-1.00pm: Lunch. Megan from ‘Thrive’ prepares a healthy, light, vegetarian lunch that will leave us feeling energised and ready for the next session…
1-1.45pm: Mindfulness session 2 with Rita Riccola
For more information and payment details please contact:
Kaye Mueller
Tel. 09 422 6020
Mob. 021 868 561
Email: kaye@muellernz.net
About Rita Riccola:
After growing up in Sydney, Rita Riccola moved to Auckland where she lives and works as a mindfulness practitioner in Grey Lynn. Rita is a qualified teacher and studied with Mindful Schools (USA). She has been teaching and practicing mindfulness for well over 20 years.
The aim of Rita’s workshop is to find a more workable way to deal with emotions, stay in contact with the present, and to accept rather than control events as they evolve in our lives.
What’s included in this workshop:
2 x 45-minute workshops: each session includes a 15-minute presentation followed by 30 minutes of practical techniques.
About Megan Browne:
Megan Browne was born in the USA and now lives in Leigh. As a trained yoga teacher, nutrition coach, wholefood consultant and chef, she runs her business THRIVE, teaching about lifestyle choices, wellness, weight management and disease prevention.
Megan will take us through an hour of gentle yoga: a vinyasa flow class that connects basic yoga postures with breath and body awareness.
Stuff did a very nice piece on the Lonesome Pine Specials and their upcoming tour, and there’s a very kind word from Flora about yours truly. The things they said about the joys of playing the lesser known venues really rang true for me, and I appreciated how much they appreciate the work that goes into this sort of thing!
Note: the undertheradar ticket website says the show is “R18”. Take my word for it, this is very much an all-ages show.
I’m really looking forward to their show!
Jenine
Thursday, 26 February is our next folk club night! We’ll start right at 7pm. Are you ready? Performers, come with two prepared numbers. You’ll get your chance to strut your stuff in the first half. If you aren’t a performer, sit back and relax and enjoy the company of your friends and neighbours while listening to some sweet folk music.
You are welcome to bring your own snacks and beverages. Tea, coffee and biscuits are included. We will have bags of crisps, juice and soda available for purchase. $5 on the door will cover expenses for the evening.
After a short break local bluegrass band The Pipi Pickers will play a few tunes and then invite anyone interested in learning to pick bluegrass to join in a “slow jam.” We’ll be playing “Man of Constant Sorrow” in A. Here are the lyrics and chords in G, so bring your capo.
Man of Constant Sorry – lyrics and chords in G